[...] In the big act two confrontations, meanwhile, she is matched, in the other great performance of the night, by Christian Federici’s Germont. Handsome of voice and presence, he sings with unforced lyricism and exemplary dynamic control. Di Provenza, given in this instance in full, can so often seem anticlimactic after everything that has gone before, but here we really sit up and listen. He’s a good actor, too, giving us a finely considered – and unusually sympathetic – portrait of a man confronting the disastrous consequences of his own inflexible morality.

Il baritono Christian Federici, nei panni di Marcello, offre al suo personaggio una calda e bronzea voce, sostenuta da un’emissione morbida e tecnicamente buona, oltre ad una bella figura fisica ed una buona interpretazione.